Usable Software:
Blender, Zbrush, Maya,Substance Painter, Plasticity, Photoshop
Object Modeling
＜90's office of police station＞
Future retroをコンセプトに「90年代の警察署オフィス」というテーマで自主製作を行ったもの。古めかしく無骨なシルエットのコンピュータを現代らしい色どりで再現し、どこにも見たことがない、けれども懐かしさを感じられる絵作りを心掛けた。
モニター、キーボード等はMaya、小物類をBlenderでモデリング。２D 画像はMidjourneyで生成した。リアリティを追求すべく、人物の癖や利き手による物品の配置の偏りなどにこだわった。
制作時期：約２週間
ソフト：Blender, Maya,Substance Painter,Midjourney
＜90's office of police station＞
This is a self-produced work based on the theme of “90's office of police station” under the concept of “Future retro”. I tried to reproduce a computer with an old-fashioned, rugged silhouette in a modern color scheme, and to create a picture that was unlike anything I had ever seen before, yet still evoked a sense of nostalgia.
The monitor, keyboard, etc. were modeled in Maya, the accessories in Blender, and the 2D images were generated in Midjourney. In pursuit of realism, I paid close attention to the habits of the people and the uneven placement of objects depending on their dominant hand.
Production time: About 2 weeks
Software: Blender, Maya, Substance Painter, Midjourney
This is a self-produced work based on the theme of “90's office of police station” under the concept of “Future retro”. I tried to reproduce a computer with an old-fashioned, rugged silhouette in a modern color scheme, and to create a picture that was unlike anything I had ever seen before, yet still evoked a sense of nostalgia.
The monitor, keyboard, etc. were modeled in Maya, the accessories in Blender, and the 2D images were generated in Midjourney. In pursuit of realism, I paid close attention to the habits of the people and the uneven placement of objects depending on their dominant hand.
Production time: About 2 weeks
Software: Blender, Maya, Substance Painter, Midjourney
＜毎日プロジェクト＞
仕事後数時間でモデリング～レンダリングを通しで行う課題を自分に課し、取り組んだもの。一枚絵での美しさを重視したため、ポリゴン数を厳格に制限せずエッジのベベル等のディティールを追加した。
制作時期：2023年6月～
ソフト：Blender, Substance Painter
<Daily Project>
I set myself the task of working through modeling to rendering in one day after work and worked on it.
Production period: June 2023-.
＜幕末京都の刀鍛冶＞
幕末の京都に佇む刀鍛冶屋をコンセプトに３D映像を制作。
ふいごや火箸などの道具は資料を基にモデリング。鍛冶場のレイアウトは現代でも機械に頼らず鍛冶体験ができる「萬右鍛冶小屋」の写真を参考とした。
制作時期：2～3週間（2023年12月）
ソフト：Blender,Substance Painter,Premiere Pro
A 3D video was created based on the concept of a sword smith shop in Kyoto at the end of the Edo period.
Tools such as bellows and tongs were modeled based on materials. The layout of the blacksmith shop was based on photographs of the "Manno Kaji Hut," where visitors can experience blacksmithing without relying on machines even today.
Tools such as bellows and tongs were modeled based on materials. The layout of the blacksmith shop was based on photographs of the "Manno Kaji Hut," where visitors can experience blacksmithing without relying on machines even today.
＜その他モデリング＞
自主製作で過去にモデリングしたオブジェクト、シーン。
チュートリアルはBlenderGuruをはじめ、海外のYoutube動画をメインに参照している。理由は説明が分かりやすく、動画の種類が豊富であるため。
Other modeling samples.
Software: Blender,Maya
Character Modeling
＜人体モデリング＞
スカルプティングの練習、解剖学の勉強のため制作。
ヌードモデルの女性、AI生成画像などをリファレンスにスカルプティング、リトポロジー、テクスチャリングを行った。
Software: Blender, Zbrush,SubstancePainter
＜プロジェクト EQIV＞
個人製作で取り組んだ映像プロジェクト。
「半機械として製造された女の子が自らの出自を辿り、設計者である父に牙を剥く」というテーマであり、当時住んでいた東北地方の伝統と近未来の機械の融合した世界を描きたかった。
ストーリー制作のため執筆活動にも取り組んだが、医学部の実習時期と重なり多忙となったため途中で頓挫した。
制作時期：2018年1月～2月
ソフト：Blender
<Project EQIV>
This is a video project that I worked on as a personal production.
I wanted to depict a world where the traditions of the Tohoku region, where I lived at the time, and the machines of the near future were fused together.
I also worked on writing for the story, but I was too busy with my medical school internship, so I gave up in the middle of the project.
Production Period: January - February 2018
Software：Blender